Wednesday, May 2, 2018

An Attic Full of Joy

Attics are not as popular in the West, but they are quite customary in older eastern homes.  When they were constructed, the concept of storage units and height restrictions did not exist. Attics are the bane of KonMari devotees, but they are a treasure trove for the hoard-minded Yankee (my forefathers and mothers).  

My GREAT grandmother had an attic in her Danbury home but the only thing I really remember about it was the hiding space in the floor, just big enough for one or two people to fit rather uncomfortably, that concealed the slaves as they moved along the underground railroad so long ago. 

My GRANDMOTHER’s house in CT had the benefit of not one, but two attics!  Of course her house was built in the 1800’s so attics were standard building procedure in the day.  These were not garret like spaces, her attics were spacious and incorporated triangular rooflines, so you could stand upright in some areas, but had to squat as you explored the crevices, which I did on a regular basis during my summer visits.  Whoever owns it now has doubtless converted the space into some sort of groovy teenage bedroom a la Greg Brady. 

The windows were made of heavy blown glass, so when you peered out, the real world appeared wavy and dream like.  The windowsills were littered with dead wasps, who after flying for days around the stacks of vintage possessions, met their unfortunate demise as they attempted to enter the blurry world through the panes. The attic held an exclusive scent comprised of dust, decaying paper, trapped heat, and aged clothing. The stairs were creaky and steep, lit only by a lone bulb attached to a string.   The floors were constructed of wide plank dark wood, with telltale gaps owing to their natural reaction to the eastern climate changes.  Today these would be sold as “reclaimed” for a premium price. 

This heavy world, laden with antiquity, was a place where I could spend hours, completely lost in thought about mythical characters that died long before I was conceived.  It was like my very own family history museum, and I explored it as if I were a rabid archeologist on a dig.  Every item I unearthed represented a mystery waiting to be explored.  It was the best when my grandparents accompanied me on these pioneering ventures because they would tell a story about my discovery, thus acting as my personal museum guides.

There was the practical section of attic #1, located just off the kitchen, that was used for storing seasonal items such as:  the blue glass Ball jars my grandmother used to can vegetables and jams from her garden, the old school picnic basket used to transport pies to holiday occasions, and 1950’s industrial-looking fans with metal blades, not safe for small hands. 

As I progressed to the lesser-used areas of the attic, there were hanging racks replete with clothing that could trace the lives and careers of their owners.  Military regalia, nursing attire, Shriner’s hats, graduation caps, and one of my personal favorites: my GREAT-GREAT-GRANDMOTHER’S wedding dress. Dr. Lois Ophelia Jackson Knapp was one of the first women doctors in CT and got married at the ripe old age of 40; and when I was 14 years old I could barely fit in her dress.   She lived to be 89 and my grandmother is named after her.   

In Attic #2, which was completely separate from the first and only accessible via the second floor, I stumbled upon my Grandfather’s artwork from high school.  Back in the day, even in Hartford public high school, the art education was fairly extensive.  They learned drawing, painting, pottery, basket weaving, and even a bit of graphic art.   I’m shocked by how much they covered on a public school budget.  He was a bit of a renaissance man – an artist, engineer, WWII pilot, clock maker and horologist, as well as a musician.  He was a man of many talents, but perhaps master of none.  My mother accuses me of having this trait; it can be traced to my Grampie’s DNA.

The second attic lacked the semi-organization of the first.  Things were more random and seemed to have been stored in haste.  A medieval metal bedpan stood alone atop a stack of Reader’s Digest condensed books.  I am unsure why this was considered a treasured object and can only imagine Marie Condo holding up the receptacle with gloved hands asking “Does this really bring you joy?” with a disgusted judgmental look on her wrinkle-free face.   As I methodically continued through the space I encountered my uncle’s drum set, my grandfather’s trumpet housed in its velvet lined container, rusty horse shoes, creaky wooden chairs painted farmhouse red, tattered traveling trunks with peeling textured paper lining the interior, decades of back issues of national geographic and Yankee magazines next to piles of books – Anne of Green Gables from 1907, yearbooks, and worn arithmetic books with microscopic type. I pawed through china, crystal, silverware, trophies, diaries, costume jewelry, and creepy photographs of stoic looking relatives not even my grandparents could identify. 

Sometimes my creative powers would venture to the morbid – thinking of some far off relative sick and dying in my grandmother’s antique mahogany bed with the bedpan lurking nearby.   Other times I would picture my grandmother as a young nurse waiting for my grandfather to return from the war in his handsome flight uniform.

My mother could never comprehend my fascination with the attic.  “That is just old junk,” she would say, but it provided me with great delight and story-telling inspiration.   My MOTHER also has an attic, which is only reached by a ladder and sliding panel, and includes treacherous areas where you could potentially end up falling through the ceiling into the living room if you weren’t careful.  Her attic shelters artifacts from the 70’s and 80’s, which I don’t find nearly as engrossing as the gems exhumed from my grandmother’s attic.  Examples include my 7th grade plaster cast from a broken ankle, electric bills from the 70’s, unattractive fake flowers, Barbie Dolls, Fisher Price people and their corresponding recreational vehicles.

My grandmother lived in her house for over 40 years, which is nearly unheard of today.  Antiques were transferred to the next generation; china and silver were inherited, not purchased.  It was a time when recycling and reusing were just common sense, not a destination for cardboard and wine bottles manned by grouchy volunteers doing their community service time.  My mom spent 23 years in one house and 20 in another and is currently going through a rather painful multi-home de-cluttering process before she moves.  The big difference between my ancestors and me is that I move. A lot.  And the more you move things around, the more joyless they become.

I learned a great deal about my family, my history, and my place in the world during those excursions to the attic.   Maybe I don’t want to know the truth about my relatives via ancestory.com; I prefer to maintain the vision I forged of who they were and what characteristics I might have inherited.  Was it hellish for my family to go through all of the collectibles when my grandmother moved out?  Maybe.  Is my mom lamenting the fact that she has kept 10 years of Bed Bath and Beyond coupons?  I would hope so.   The riches in my grandmother’s attic provided hours of entertainment and imagination development during my youth.   If my Grammie had been a KonMari follower, I would have been deprived of this unique experience. And so I ask Marie Condo, is there a statute of limitations on sparking joy?   I think not.

Some Relics I salvaged from the attic




No comments:

Post a Comment